The body as an evolving field of attention
The Artist Statement offers the clearest point of entry into the practice: presence, transformation and the meeting between internal sensation and visible form.
Read the statement ↗A guided entrance into Merav Cohen’s practice—connecting works, research, teaching, international encounters and documentary evidence through carefully composed reading paths.
Three guided durations offer different levels of depth. Every route remains connected to the original documentary records.
Documents selected for their ability to open the wider archive and illuminate the relationship between artistic language, process and transmission.
The Artist Statement offers the clearest point of entry into the practice: presence, transformation and the meeting between internal sensation and visible form.
Read the statement ↗A methodological bridge between research, creation and teaching.
Open method ↗The practice made visible through choreographic and performative forms.
Explore works ↗Editorial observations that orient attention without closing interpretation. They are invitations to notice continuities across otherwise separate records.
Across the archive, presence is not treated as a fixed state but as a practice—renewed through attention, risk and encounter.
Transformation appears simultaneously as artistic subject, bodily process and pedagogical principle.
The international record is best understood not only as geography, but as exchange: contexts change the work, and the work changes through context.
Cross-disciplinary groupings allow the archive to be entered through recurring themes rather than through administrative categories alone.
A high-level orientation to the documentary system. Counts describe the current workspace structure rather than claiming completeness of the historical archive.