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VISUAL ARCHIVE · FILM · PHOTOGRAPHY

Media

A curated visual workspace for performance images, moving-image documentation and publication-ready material.

Open media library
01
MEDIA PRINCIPLE

Documentation as an extension of the work.

The Media Workspace separates presentation assets from the wider documentary archive. Its purpose is to make images and video easier to review, identify, credit and prepare for professional use.

Only material already packaged in the current project is displayed here. Missing dates, photographer credits, production names and usage permissions remain explicitly marked for verification rather than being inferred.

02
FEATURED ASSETS

Current visual record.

A focused presentation of the media presently available inside the Documentation Center.

Stage performance image from the Merav Cohen archive
PhotographyStage performance image
Format
JPEG · 848 × 480
Credit
To verify
Work / production
To verify
Usage rights
Not yet documented
Introductory film

Documentation Center introduction

A short moving-image introduction already integrated into the current project.

Format
MP4
Duration
12 seconds
Credit
To verify
Usage rights
Not yet documented
03
ARCHIVE STRUCTURE

The library prepared for expansion.

Four documentary families define how future material should enter the archive.

01

Performance photography

Stage images organised by work, year, venue, photographer and production context.

1 current asset
02

Moving image

Trailers, excerpts, full documentation, studio footage and interviews.

1 current asset
03

Graphic material

Posters, programmes, invitations and identity material linked to presentations.

Awaiting catalogue
04

Portraits & studio

Professional portraits, rehearsal images and process documentation for editorial use.

Awaiting catalogue
04
PROFESSIONAL STANDARD

Every asset needs a complete documentary identity.

01

Identification

Work, year, venue, event and people appearing in the image or film.

02

Credits

Photographer, filmmaker, performers, producer and commissioning context.

03

Rights

Permission status, publication restrictions and approved professional uses.

04

Technical record

Original filename, resolution, duration, aspect ratio and master-file location.

05
CATALOGUE PRIORITIES

What still needs to be documented.

The current project does not yet contain enough verified information to present a complete visual archive or press-ready media kit.

  • Confirm the work, date, location and photographer for the stage image.
  • Confirm the author, production context and publication rights of the introductory film.
  • Add original high-resolution masters rather than web derivatives where available.
  • Catalogue posters, rehearsal images, portraits, interviews and complete performance recordings.
  • Record captions and credits in consistent English and Hebrew forms.